LilSugar: What led you to do textiles at this point?
David Netto: I had always planned to. I had plans like that for a long time, but I really didn’t know how to enter that business intelligently. I had enough on my plate trying to make furniture work. To get committed to soft goods and table top . . . There’s a whole bunch of bags designed too that we just never figured out how to make with confidence.
LilSugar: What other influences came into play with the linen design?
David Netto: I wanted it to be the opposite of what the furniture was like. The white serenity and Scandinavian vibrations of all of our hardscapes have always been what we’ve set out to do, and they’re beautiful. But there’s a certain kind of friendliness that a nursery has to have, that comes from fuzzy stuff and things that aren’t sleek. So I wouldn’t have wanted to add to that since the whole premise of the furniture was if you do the architecture right, then you can have the big birds, and stuff, and it will never look that bad. Most people seem to really like bright colors. Nobody really seems to want to live in a disciplined, minimalist environment that’s top to bottom like that. I wanted them to be fun. I looked at all the things that Maclaren is already making and I thought what do I like about modern design when it’s handmade and eclectic and surprising.
I would be afraid to do something too plain. And also, that’s out there. There’s very beautiful Italian stuff, like linen with a scalloped pink edge, and stuff. I’m not going to teach anybody anything new with stuff like that.
There’s a decorating saying that I love that says, “Give them what they never knew they wanted.” Albert Hadley said that. So I’m always trying to get customers to like us who never thought they liked modernism. That’s what this is supposed to deliver as well.